Willie Dixon: Walkin' the Blues

Remember the “Insane Asylum” post? Five days ago? Originally that was going to be mapped to the old Chess Records studio in Chicago because it sounds like a Chess studios recording. Instead it had to go down where that unfortunate rake got a touch of the sniffles from his lady love.1

But this week should really drop a pin on that little box on Michigan Ave, because so many of the recordings made there sound like they were made there, sound like they were made in a real, identifiable place. Almost all of the Chess recordings are of that period where the recordings sound like people who are in a room, playing, but Chess’ in particular sound real and alive and you can hear it on tape cuz actual badass muthafuxkas got together, sorted out what to do, and did it on-mic (and then slap-echoed the living hell out of it). Revisit Insane Asylum if you want a big, tall sound, but this one, “Walkin’ the Blues,” will suffice. Never mind that it feels like a bit of a throwaway, and never mind that right around the 2:43 mark it devolves even further into a dumb mother-in-law joke, but focus on the piano and bass throughout and you’ll almost be able to see a couplea dudes in that little near-square in Chicago.

MAPPING IT

The definitive Chess location has to be the 2120 building. If for no other reason than its very address was ripped dafuxk off by – surprise! – blues legends The Rolling Stones as well as by –- well, whaddya know! – blues legend George Thorogood. That little place in Chicago (technically one of several Chess locations) still stands.

HEARING IT

  1. That should read “contracted an STD due to excessively sketchy fuxking.”